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From those electric moments of discovery and connection to the dark hours of isolation, we all seek community and resolution. But sometimes the things that connect us are the very things we need to escape.Sally Abbott's I Think We Are Alone is a delicate and uplifting play about fragility, resilience and our need for love and forgiveness.The play was commissioned by Frantic Assembly as part of their twenty-fifth anniversary and premiered on a UK tour in 2020 as a co-production with Theatre Royal Plymouth and Curve, Leicester. The original production was co-directed by Kathy Burke and Frantic Assembly's Artistic Director Scott Graham.
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A bold and startling comic thriller about climate crisis, conspiracy, and what lurks beneath the waves… It's 2050 and, due to the rising sea level, a small coastal town in Britain is now underwater. Some of the town's inhabitants have taken shelter in a manor house, which has been converted into a camp for climate-change refugees. It's run by Maxscore, a shady private company. As they face power cuts, food scarcity and blackmail, the camp inmates start to realise that people are mysteriously disappearing. A strange force has been unleashed and is set to destroy them. Can they stop it before it's too late? Hassan Abdulrazzak's play Sea Things was first performed at Southwark Playhouse, London, in a production by Oxford School of Drama. The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to older teenagers and young adults.
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Afghanistan. It's 2004. Farook and Samia broadcast live every day to the whole of Kabul, delivering ninety minutes of musical bliss: Britney, Backstreet Boys and Enrique Iglesias. But when their show starts to make waves, the two young friends must take on repressive forces to build a new Afghanistan.Inspired by the true story of Afghanistan's first youth music programme, Waleed Akhtar's play Kabul Goes Pop: Music Television Afghanistan explores a world following the US invasion that is complex, contradictory and shocking – all to a soundtrack of early noughties' pop.The play premiered at Brixton House, London, in 2022, directed by Anna Himali Howard, before touring the UK. It was presented with HighTide, in association with Mercury Theatre Colchester.
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Zafar flees homophobic persecution in Pakistan to seek asylum in the UK. Londoner Bilal (or Billy as he prefers to be known) is ground down by years of Grindr and the complexity of being a brown gay man.In Soho, at 2 a.m., parallel worlds collide – and Zafar and Billy's lives are about to change forever.The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment.A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike.
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Three urgent and compelling plays, joint winners of the 2021 New Writing Prize awarded by acclaimed theatre company Papatango, in partnership with English Touring Theatre.Some Of Us Exist In The Future by Nkenna AkunnaFresh off the plane from the UK, Chiamaka is new to Brooklyn and its extremes. She's new to queer dating, to the realities of being an immigrant. Most of all, she's new to the voices of the gods… Utterly original, wryly funny and always gripping, Some Of Us Exist In The Future follows one woman's search for a place to belong in a world that's not all it seems.Ghost Stories from an Old Country by Tajinder Singh HayerAmar's older brother Dalvir has always told a good ghost story – properly unsettling, dark tales that send a chill right through Amar's soul. But now Dalvir's almost a ghost himself, cloistered and secretive. Amar desperately wants his brother back, but can he unravel Dalvir's stories to reconnect with the only family he has left? Ghost Stories from an Old Country is a riveting and poignant exploration of the ties that bind us, threaded through with captivating fables.The Silence and The Noise by Tom PowellEvery teenager knows what it's like to be stuck between things: childhood and maturity, innocence and experience, hope for the future and uncertainty about what it might bring. But Daize is torn between even greater challenges: her love for her vulnerable mother and her dangerous friendship with Ant. An outsider with knockout trainers, Ant has just appeared on her doorstep, bringing with him a whole world of trouble. The Silence and The Noise beautifully captures the story of two young people on the edge.All three plays were produced and premiered by Papatango and English Touring Theatre in 2021 as audio plays, presented to audiences via specially designed audio stations that toured UK theatres.'Remarkable unearthers of new talent' Evening Standard on Papatango'Astonishingly brilliant… one of the best debut plays I have ever seen' BBC Radio 4's Saturday Review on Shook by Samuel Bailey, winner of the 2019 Papatango New Writing Prize
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In Exploring Shakespeare, acclaimed theatre director Bill Alexander takes us inside the rehearsal room to reveal – in unprecedented and captivating detail – exactly what happens there. He examines the key relationship between the actors and the director, how they work together to bring Shakespeare's vision to life, and how choices are made that will shape every aspect of the play in production. Full of acute observations and perceptions drawn from a long and brilliant career, the book covers the essential aspects of any Shakespeare production, from understanding the world of the play, to preparing and cutting the text, deciding on costumes and set design, handling soliloquies, and considering character and backstory. There are detailed studies of eight plays spanning the full length and breadth of the Shakespearean canon, from Titus Andronicus and The Shrew to The Tempest, via Macbeth, Othello, Hamlet, Lear and Twelfth Night. Alexander also provides first-hand case studies of three of his own productions, including his famous Richard III starring Antony Sher. Personal, forthright, and full of pragmatic advice, Exploring Shakespeare is a masterclass for directors and actors, and a fascinating insight for anyone interested in Shakespeare. 'Bill Alexander is a brilliant director, whose work has powerfully shaped my understanding of Shakespeare's plays, Richard III most of all' - James Shapiro, author of 1599: A Year in the Life of William Shakespeare
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A practical investigation into story-theatre and the art of telling stories through theatre, by the renowned director who founded Shared Experience Theatre Company. In Then What Happens?, Mike Alfreds makes the case for putting story and storytelling back at the heart of theatre. He explores the whole process of adapting for the stage, and investigates the particular techniques - many of them highly sophisticated - that actors require when performing 'story-theatre'. The book includes over two hundred exercises, improvisations and workshops dealing with the practical aspects of story-theatre, such as building an ensemble, creating a physical vocabulary, and transforming written narrative into drama. It draws on examples ranging from traditional legends and folklore, through the works of Jane Austen, Charles Dickens and Evelyn Waugh, to contemporary fiction. Alfreds shows how each story demands its own particular set of dramatic choices, opening up endless possibilities for performance. Then What Happens? - like the author's tremendously successful first book, Different Every Night - will be invaluable to directors and actors, to dramatists working in the field of adaptation, to those devising and working from improvisation, and to any theatregoer who has been moved by the power of an unfolding story to ask: 'Then what happens?' 'All theatre directors know that good narrative is the secret of good theatre, but few have as distinctive, rigorous and exceptional a method of exploring that secret as does Mike Alfreds. His system of working, and his thoughts on the making of theatre in our time, are as crucial and illuminating as those of Stanislavsky and Peter Brook have been to generations of theatre enthusiasts and practitioners.' Michael Coveney 'both fascinating and instructive for the general reader as well as practitioners... will prove invaluable to directors, actors and even designers and choreographers... a must have' - British Theatre Guide 'Alfreds' substantial book provides a fascinating insight into [his approach], which has been adopted by many other directors and companies since the 1970s. ... This is an ideal read for anyone who is keen to put storytelling at the heart of performance' - Drama Resource 'Comprehensive, rigorous and practical... a heavyweight book from a heavyweight author' - Theatre in Wales 'Practical and thorough... a very useful book for playwrights and directors' - The Stage
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In What Actors Do, revered theatre director Mike Alfreds explores the wellspring of the actor's craft, tracing a pathway to creative freedom through the thickets of competing methodologies and confusing paradoxes that you will face throughout your training and career. How do you give life to a character that both is and isn't yourself? How can you be childlike and open in your work without becoming childish? How, when you know what's coming next, can you still be spontaneous? Frank, uncompromising and full of sharply focused insights, this book will help you strip away the inhibitions and habitual thinking that can shackle our imaginations. It will show you how to generate truthful performances by trusting your inner creativity and remaining radically open, responsive and present in every moment. Mike Alfreds has been directing plays for more than seventy years. In the 1970s he founded Shared Experience, and has since worked for the National Theatre, Shakespeare's Globe, the Royal Shakespeare Company and also extensively abroad. He is hugely respected within the profession, and is the author of two previous books, Different Every Night and Then What Happens? 'If I was allowed to train again to be an actor, but I was only allowed one teacher, it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytelling' Mark Rylance
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It's the 1970s, and Fereydoun Farrokhzad's star is blazing bright – he's a sex symbol and chart-topping pop singer. Imagine an Iranian Tom Jones. A decade on and he's living in political exile in Germany, though still selling out the Royal Albert Hall. Then, on 7 August 1992, he's found brutally murdered. The neighbours said his dogs had been barking for two nights. The case has never been solved. Things Hidden Since the Foundation of the World is an investigation into the nature of investigation; part free-wheeling lecture, part podcast and part play. It is a thrilling ride down the rabbit hole of Wikipedia and true-crime podcasts, sorting through the tangle of information available online to reveal the limits of the search engines in solving a decades-old cold case. Originally produced by The Javaad Alipoor Company in 2022, this witty, fast-paced and cutting-edge play, by Javaad Alipoor with Chris Thorpe, was co-commissioned by HOME and the National Theatre of Parramatta. It has toured worldwide, including a run at the Traverse Theatre, Edinburgh, during the 2023 Festival Fringe.
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Roger Allam discusses playing Falstaff, in this ebook taken from Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They leads us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare – and fascinating for audiences of the plays.In this volume, Roger Allam discusses playing the iconic role of Falstaff in both Henry IV plays in Dominic Dromgoole's production at Shakespeare's Globe.This interview, together with the others in the series (with actors such as Simon Russell Beale, Ian McKellen, Patrick Stewart and Harriet Walter), is also available in the collection Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles by Julian Curry, with a foreword by Nicholas Hytner.
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For Charly, every day is the same. Things used to be different, when there was Clo, but now there isn't Clo, and Charly doesn't want to dwell on that. She just wants to chug coffee, blast Beastie Boys and deal drugs. Simple. But when Charly suffers a power cut, she's forced back into the real world of knock-off Morrisseys, disapproving mothers and, ultimately, a world she has to navigate alone. Lady Dealer is a mile-a-minute, one-person poem play by Martha Watson Allpress about forgiveness, the exhaustion of trying, and mistaking self-destruction for self-preservation. It premiered in Paines Plough's Roundabout during the 2023 Edinburgh Festival Fringe.
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Patricia has spent a year recovering from an abusive relationship. But when she bumps into her ex on the street, she accidentally agrees to go to dinner with him that night.Now she's got some big decisions to make. What to wear? What to say? And... whether or not to go?Martha Watson Allpress's Patricia Gets Ready (for a date with the man that used to hit her) is a play for one actor that was first seen at VAULT Festival 2020, directed by Kaleya Baxe and performed by Angelina Chudi, then at the Edinburgh Festival Fringe 2021, winning numerous awards and receiving rave reviews. It was revived on a UK tour in 2022, performed by Yasmin Dawes, including a run at Brixton House, London.'The standout production of this EdFringe' - The Stage'Brilliant... A script that refuses to simplify, to be neat and tidy, to apologise, to paint Patricia as just a victim. Rather, she is bold, funny (very funny) and sexually confident' - Guardian
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Grey and her friends are ordinary kids from ordinary families in an ordinary world. They fall in and out of love, play music, stare at the stars, yearn for excitement, and have parties on the beautiful beaches of Northumberland. One day a stranger – a musician called Orpheus – appears on the beach, entrancing them all, but particularly Ella. Where have they come from and what path will Ella follow? A Song for Ella Grey is a version of the myth of Orpheus that sings of the madness of youth, the ache of love, and the near-impossibility of grasping death. Zoe Cooper's stage adaptation of David Almond's award-winning novel was first produced in 2024 by Pilot Theatre, in association with Northern Stage and York Theatre Royal. This edition includes the full text of the play along with a range of teaching materials and resources designed to help educators bring the play to life for their students. Praise for the novel: 'Infused with lyricism and with the fire and oddness of adolescence. Fresh, involving and lucid, it is a song in itself and teens will find it fills them with poignant longing and joy' Telegraph 'The story of Orpheus and Eurydice is retold against a wild Northumbrian landscape: life, death, love and myths. Just wonderful' Bookseller 'Extraordinary' Metro 'Spell-binding& impossible to resist' Herald
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A woman, shaken by a broken relationship, finds herself discovering love in the last place – and with the last person – she ever expected. Based on Jade Anouka's own experience, and told through poetry, HEART is a raw and honest exploration of love, loss and self-discovery, celebrating the resilience of the human spirit and the beauty of human connection. It was first performed by Anouka herself, as an Audible Original audio play, before being presented on stage at the Minetta Lane Theatre in New York, the Edinburgh Festival Fringe, and Brixton House in London. This edition of the play also includes a selection of the author's poems. 'Feel the rhythms…Of your own heartbeatAs I tell you a storyMy story' 'A clear-sighted show delivered in the flush of love' - Guardian 'Extra special… There's something for everyone in this hour-long play, and it's well worth taking the time out to make this connection' - Broadway World 'A refreshingly bouncy show that brims with swagger… a dynamic debut' - The Stage 'Poignant… braided with sincerity and heartache… electrifyingly raw' - Time Out 'Powerful, beautiful and full of hope' - Theatre Mania
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Poetics / Aristotle. - [miejsce nieznane] : Nick Hern Books : Legimi, 2020.
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Part of the Nick Hern Books Dramatic Contexts series: important statements on the theatre by major figures in the theatre.One of the most influential tracts in world theatre, Aristotle's Poetics is crucial to an understanding of how drama works, and how it has evolved.It is the source of the doctrine of the Three Unities – of Time, Place and Action – and the concept of catharsis in tragedy.Writing only a hundred years after Sophocles and Euripides, Aristotle's insights into Greek drama are endlessly rewarding.This English translation by Kenneth McLeish makes the famous text more accessible than ever before, without cutting or paraphrasing. Important passages are highlighted, while key words and concepts are glossed within the text, without the need for intrusive footnotes.The result is an authoritative text of Aristotle's Poetics that allows readers to experience his arguments directly for themselves.Also included is a compact introduction by McLeish to Aristotle and his ideas.
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A unique guide to every aspect of putting on your own solo show: choosing the subject, raising the finance, booking the venue - and performing it! More and more actors – faced with ever longer periods of unemployment – are turning to the solo show as a way of keeping active, keeping visible, and keeping the wolf from the door! This book is essential reading for anyone contemplating such a move, and comprehensively covers every aspect of putting on your own one-person show. Being a veteran of the solo-show circuit, as a writer, performer and director, Gareth Armstrong is the ideal guide. He takes you step by step through each stage of the process: Choosing the right material – or devising your own Raising the finance Finding the venues Hiring a bookings manager and other personnel Arranging publicity Winning an audience There is a special section on that mecca for solo shows, the Edinburgh Fringe, and an extensive appendix covering funding bodies, venues, festivals and more. Throughout the book, Armstrong illustrates his points with case studies of actual solo shows by performers such as Miriam Margolyes, Linda Marlowe and Guy Masterson. 'So You Want To Do A Solo Show? is a thorough, meticulous, hands-on, "how-to-do" manual, covering everything from the germination of an idea right through to the costing of the flyers. It is, I think, the most valuable read for any performer who has ever thought "If only I could have some control over the way my career is going"' Maureen Lipman, from her Foreword
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The Comeback / Ben Ashenden. - [miejsce nieznane] : Nick Hern Books : Legimi, 2020.
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Up-and-coming comics Alex and Ben have been booked in the warm-up spot for a beloved but fading double act's comeback tour. Neither is delighted to be playing to a sparse crowd in a sleepy seaside town – but when it's revealed that a Hollywood director is in the audience, both acts glimpse a final chance for their big break.Cue sabotage, mistaken identity and full-on farcical mayhem, as the performance descends into a desperate battle for the limelight. With the action alternating between offstage and on, and the tone between Noises Off and Morecambe and Wise's old-school charm, The Comeback is a heart-warming exploration of bittersweet nostalgia and the enduring power of friendship.It is the joyful and dazzlingly funny debut play by The Pin's award-winning Ben Ashenden and Alex Owen – 'destined to become one of the great comedy duos' (Radio Times). It opened at the West End's Noël Coward Theatre in December 2020.'A bulletproof nugget of comic theatre' Guardian'Will simply make you laugh your socks off'Evening Standard
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A surreal, dreamlike and hilarious play exploring the pressures and transformations that happen to teenagers as they grow up.Otto's parents have big plans for him. His mum thinks he's 'Cambridge material'. His dad wants him to play for Arsenal. It's a lot of pressure, but Otto has it under control.Until one morning, when Otto wakes up feeling pretty peculiar... discovering, unexpectedly, he's been transformed into a skunk.Inspired by Kafka's novella The Metamorphosis, Skunk was first performed at Soho Theatre, produced by the National Youth Theatre.Multiplay Drama is an exciting new series of large-cast plays, specifically written to be performed by and appeal to older teenagers and young adults.
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Eileen Atkins discusses playing Viola in Shakespeare's Twelfth Night, in this ebook taken from Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles.In each volume of the Shakespeare On Stage series, a leading actor takes us behind the scenes of a landmark Shakespearean production, recreating in detail their memorable performance in a major role. They leads us through the choices they made in rehearsal, and how the character works in performance, shedding new light on some of the most challenging roles in the canon. The result is a series of individual masterclasses that will be invaluable for other actors and directors, as well as students of Shakespeare; and fascinating for audiences of the plays.In this volume, Eileen Atkins discusses playing the role of Viola in two productions of Twelfth Night seventeen years apart at the Old Vic Theatre in 1961, directed by Colin Graham; and in a Prospect Theatre Company production in 1978, again at the Old Vic Theatre, directed by Toby Robertson.This interview, together with the others in the series (with actors such as Simon Russell Beale, Ian McKellen, Patrick Stewart and Harriet Walter), is also available in the collection Shakespeare On Stage: Volume 2 - Twelve Leading Actors on Twelve Key Roles by Julian Curry, with a foreword by Nicholas Hytner.
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Forma i typ
A play about love, death, identity and evolution, from the best-selling and highly acclaimed novelist. Elizabeth, forty-something, childless, recently separated, just wants to be alone. She's moved into a converted Victorian mansion, alive with history, character, woodworm and rot. But worse than that she's besieged by invaders of the human kind. Her best friend, her sister, their mother, the builder and a photographer are all determined to make their mark. And a former inhabitant of the house, disturbed from her resting place by Elizabeth's arrival, revisits her own long-forgotten past. 'Atkinson has arrived at theatrical customs with a huge amount to declare' -Guardian 'Witty, intelligent and absorbing... terrific comic dialogue' -Scotsman
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